Page 80 - Glasbenopedagoški zbornik Akademije za glasbo, letnik 20, zvezek 40 ◆ The Journal of Music Education of the Academy of Music in Ljubljana, volume 20, issue 40

Marradi, A. (2012). The concept of concept: Concepts and terms. Knowledge
glasbenopedagoški zbornik ◆ letnik/volume 20 ◆ številka/number 40
Organization, 39(1), 29–54.
McAdams, S. (1989). Psychological constraints on form-bearing dimensions
in music. Contemporary Music Review, 4(1), 181–198.
McDermott, V. (1972). A conceptual musical space. Journal of Aesthetics and
Art Criticism, 30(4), 489–494.
Meyer, L. B. (1989). Style and music: Theory, history, and ideology. University
of Pennsylvania Press.
Mihelač, L., & Povh, J. (2020). AI based algorithms for the detection of
(ir)regularity in musical structure. International Journal of Applied
Mathematics and Computer Science, 30(4), 761–772.
Mihelač, L., Povh, J., & Wiggins, G. A. (2021, 28–31 July). Segmentation
of melody: A comparison of segmentation between children, musical
experts and IDyOM [Conference presentation]. ICMPC16-ESCOM11:
Connectivity and diversity in music cognition, SpatialChat.
Morgan, D. N. (1968). Concepts and music education. Journal of Aesthetic
Education, 2(4), 117–123.
Morgan, R. P. (1980). Musical time/musical space. Critical Inquiry, 6(3),
527–538.
Morgan, R. P. (1984). Secret languages: The roots of musical modernism.
Critical Inquiry, 10(3), 442–461.
Nicolas, F. (2009). How to theorize music today in the light of mathematics?
Gazette des mathématiciens, 1(119). http://www.entretemps.asso.fr /
Nicolas/2009/Gazette119.htm
Nikolsky, A. (2015). Evolution of tonal organization in music mirrors
symbolic representation of perceptual reality. Part-1: Prehistoric.
Frontiers in Psychology, 6. https://doi.org/10.3389/fpsyg.2015.01405
Nørgaard, H. (1962). Darmstadt-fragmenter. Dansk Musiktidsskrift, 6,
182–185.
Owen, H. (2000). Music theory resource book. Oxford University Press.
Oxford Learner’s Dictionaries. (N.d.). Element. https://www
.oxfordlearnersdictionaries.com/definition/english/element?q=element
Pearce, M. T. (2005). The construction and evaluation of statistical models
of melodic structure in music perception and composition [Unpublished
doctoral thesis]. City University London.
Pearce, M. T. (2018). Statistical learning and probabilistic prediction in music
cognition: Mechanisms of stylistic enculturation. Annals of the New
York Academy of Sciences, 1423(1), 378–395.
Petrović, M., & Golubović, M. (2018). The use of metaphorical musical
terminology for verbal description of music. Rasprave, 44(2), 627–641.
Prince, J. B., Thompson, W. F., & Schmuckler, M. A. (2009). Pitch and time,
tonality and meter: How do musical dimensions combine? Journal of

80