Page 128 - Blečić Kavur, Martina. Povezanost perspektive / A coherence of perspective. Koper: Založba Univerze na Primorskem, 2015.
P. 128
ezanost perspektive ■ a coherence of perspective 128 Riječ je, naime, o vrlo usitnjenim ulomcima čija pr- These are very small fragments which according to
votna analiza upućuje na više tipološki različitih posu- their preliminary analysis demonstrate the presence of
da: ponajprije situla, cista i poklopaca (sl. 47-50; 52-53). numerous typologically different vessels – first of all sit-
U njihove ansamble spadaju i pojedini dijelovi ručki i ulae, cysts and lids (Fig. 47-50; 52-53). Their ensembles
provijesla, olovnih šipki, ispuna i stezaljki za popravke, includes individual parts of handles, grips, lead bars, fill-
dna i oboda posuda te njihovih privjesaka (sl. 53). Poče- ings and clamps for repairs, bottoms and rims of ves-
sto je takvo posuđe ukrašavano urezivanjem i iskuca- sels as well as their pendants (Fig. 53). Often were dec-
vanjem brončanog plašta s prikazom različitih deko- orated with incisions and embossing depicting various
rativnih, poglavito figuralnih motiva, poznatog kao decorative, especially figural motifs, known as the Situ-
situlska umjetnost ili stil.233 U situlskom stilu ukraše- la Art or Style.233 In Situla Style were decorated several
no je nekoliko manjih ulomaka brončanog lima, ali smaller fragments of bronze sheet, but the largest num-
su najvećim brojem sačuvani tako fragmentarno da ber of them is preserved so fragmentary that it was not
se nije uspio rekonstruirati nijedan konkretan, odno- possible to reconstruct any specific or complete scene.
sno cjelovit prizor. Naime, navedeni ulomci pokazuju Specifically, these fragments demonstrate that all ves-
kako su sve posude morale biti prilično oštećene gore- sels must have been quite damaged by burning and,
njem i, možda, namjerno lomljene i deformirane. Više perhaps, deliberately broken and deformed. It is no lon-
nije moguće ustanoviti jesu li one služile i kao urne ili ger possible to determine whether they were used as
su samo prilagane u istaknutije grobove i njihove grob- urns or were added just as grave goods in to prominent
ne inventare. graves being part of their inventories.
We should put forward four small fragments of bronze
Izdvojiti valja četiri manja ulomka brončanog lima sheet covered in extremely shallow relief decorated
obrađena u izrazito plitkom reljefu s ukrasom dvo- with carved double intertwined lines (braids) with em-
strukog urezanog prepleta (pletenice) s iskucanom bossed dots in the centre (Fig. 47A-48B). Above it are
točkom u sredini (sl. 47A-48B). Iznad njega očuvana su preserved only two fragments depicting lower body
samo dva ulomka na kojima je prikazan donji dio tijela with hind legs of probably some horned animal. The
sa stražnjim nogama vjerojatno neke rogate životinje. legs are depicted extremely slender with clearly distin-
Noge su izrazito vitko prikazane s jasno istaknutim guished hooves, groins and muscle lines. The rear leg is
kopitima, preponama i linijama mišića, a na stražnju se already touching the first leg of the following animal.
nogu u raskoraku naslanja već i prva noga sljedeće ži- According to their orientation the animals are turned
votinje. Prema svome položaju, odnosno orijentaciji, to the right. In terms of expressive images, almost iden-
životinje su okrenute udesno. U smislu izražajnije pre- tical according to the manner and quality of manufac-
233 Turk 2005, 9-15. 233 Turk 2005, 9-15.
votna analiza upućuje na više tipološki različitih posu- their preliminary analysis demonstrate the presence of
da: ponajprije situla, cista i poklopaca (sl. 47-50; 52-53). numerous typologically different vessels – first of all sit-
U njihove ansamble spadaju i pojedini dijelovi ručki i ulae, cysts and lids (Fig. 47-50; 52-53). Their ensembles
provijesla, olovnih šipki, ispuna i stezaljki za popravke, includes individual parts of handles, grips, lead bars, fill-
dna i oboda posuda te njihovih privjesaka (sl. 53). Poče- ings and clamps for repairs, bottoms and rims of ves-
sto je takvo posuđe ukrašavano urezivanjem i iskuca- sels as well as their pendants (Fig. 53). Often were dec-
vanjem brončanog plašta s prikazom različitih deko- orated with incisions and embossing depicting various
rativnih, poglavito figuralnih motiva, poznatog kao decorative, especially figural motifs, known as the Situ-
situlska umjetnost ili stil.233 U situlskom stilu ukraše- la Art or Style.233 In Situla Style were decorated several
no je nekoliko manjih ulomaka brončanog lima, ali smaller fragments of bronze sheet, but the largest num-
su najvećim brojem sačuvani tako fragmentarno da ber of them is preserved so fragmentary that it was not
se nije uspio rekonstruirati nijedan konkretan, odno- possible to reconstruct any specific or complete scene.
sno cjelovit prizor. Naime, navedeni ulomci pokazuju Specifically, these fragments demonstrate that all ves-
kako su sve posude morale biti prilično oštećene gore- sels must have been quite damaged by burning and,
njem i, možda, namjerno lomljene i deformirane. Više perhaps, deliberately broken and deformed. It is no lon-
nije moguće ustanoviti jesu li one služile i kao urne ili ger possible to determine whether they were used as
su samo prilagane u istaknutije grobove i njihove grob- urns or were added just as grave goods in to prominent
ne inventare. graves being part of their inventories.
We should put forward four small fragments of bronze
Izdvojiti valja četiri manja ulomka brončanog lima sheet covered in extremely shallow relief decorated
obrađena u izrazito plitkom reljefu s ukrasom dvo- with carved double intertwined lines (braids) with em-
strukog urezanog prepleta (pletenice) s iskucanom bossed dots in the centre (Fig. 47A-48B). Above it are
točkom u sredini (sl. 47A-48B). Iznad njega očuvana su preserved only two fragments depicting lower body
samo dva ulomka na kojima je prikazan donji dio tijela with hind legs of probably some horned animal. The
sa stražnjim nogama vjerojatno neke rogate životinje. legs are depicted extremely slender with clearly distin-
Noge su izrazito vitko prikazane s jasno istaknutim guished hooves, groins and muscle lines. The rear leg is
kopitima, preponama i linijama mišića, a na stražnju se already touching the first leg of the following animal.
nogu u raskoraku naslanja već i prva noga sljedeće ži- According to their orientation the animals are turned
votinje. Prema svome položaju, odnosno orijentaciji, to the right. In terms of expressive images, almost iden-
životinje su okrenute udesno. U smislu izražajnije pre- tical according to the manner and quality of manufac-
233 Turk 2005, 9-15. 233 Turk 2005, 9-15.
