Page 360 - Weiss, Jernej, ur. 2018. Nova glasba v “novi” Evropi med obema svetovnima vojnama ?? New Music in the “New” Europe Between the Two World Wars. Koper/Ljubljana: Založba Univerze na Primorskem in Festival Ljubljana. Studia musicologica Labacensia, 2
P. 360
nova glasba v »novi« evropi med obema svetovnima vojnama
gen entwickelten Ideen aus. Erst nach dem Zweiten Weltkrieg wurden die
neu gegründeten Donaueschinger Musiktage neben Darmstadt zu einem
neuen und einflußreichen Podium der Orientierung für die internationale
musikalische Moderne und Avantgarde.
Schlüsselwörter: Gebrauchsmusik, Mechanische Musik, Nationalsozialis-
mus, Neoklassizismus, Technische Medien, Wiener Schule
Matjaž Barbo
Guido Adler’s doctoral student Anton Dolinar
The paper focuses on the Anton Dolinar’s study of music in Vienna. Do-
linar considered to be the undisputed authority in the period between the
wars in Slovenia. His pioneering work was not based solely on amateur en-
thusiasm, but it was highly professionally supported. Parallel to his studies
at the Vienna Conservatory (since 1923), where he attended the department
of church music, he listened to the lectures of musicology at the Faculty of
Arts of the University of Vienna where he defends with G. Adler his do-
ctoral thesis with the title Die Behandlung bei der Kirchentöne Palestrina
(1927).
Dolinar went to Vienna after he finished his studies in theology and was
ordained a priest (1917). At his return to Ljubljana he was active at the Lju-
bljana radio. Thoroughly educated and broad-minded musician, he partic-
ipated from the very beginning in the establishment and management of
the emerging radio station. He was thus a longtime editor of musical pro-
grammes of Radio Ljubljana. At the same time he conducted the Orchestra
of the Ljubljana Music Society, and was devoted to a wider cultural and or-
ganisational work, journalism and teaching. After the war, in 1945, he went
first to Italy, and then moved to the United States, where in 1953 he died in
a car accident.
Although Dolinar was undoubtedly one of the most educated musical in-
tellectuals of his time, active in a wide variety of areas, he became after the
war unfortunately as a priest and a member of the political emigration to-
gether with his work gradually forgotten.
Keywords: Anton Dolinar, musicological study, Guido Adler, church modes
358
gen entwickelten Ideen aus. Erst nach dem Zweiten Weltkrieg wurden die
neu gegründeten Donaueschinger Musiktage neben Darmstadt zu einem
neuen und einflußreichen Podium der Orientierung für die internationale
musikalische Moderne und Avantgarde.
Schlüsselwörter: Gebrauchsmusik, Mechanische Musik, Nationalsozialis-
mus, Neoklassizismus, Technische Medien, Wiener Schule
Matjaž Barbo
Guido Adler’s doctoral student Anton Dolinar
The paper focuses on the Anton Dolinar’s study of music in Vienna. Do-
linar considered to be the undisputed authority in the period between the
wars in Slovenia. His pioneering work was not based solely on amateur en-
thusiasm, but it was highly professionally supported. Parallel to his studies
at the Vienna Conservatory (since 1923), where he attended the department
of church music, he listened to the lectures of musicology at the Faculty of
Arts of the University of Vienna where he defends with G. Adler his do-
ctoral thesis with the title Die Behandlung bei der Kirchentöne Palestrina
(1927).
Dolinar went to Vienna after he finished his studies in theology and was
ordained a priest (1917). At his return to Ljubljana he was active at the Lju-
bljana radio. Thoroughly educated and broad-minded musician, he partic-
ipated from the very beginning in the establishment and management of
the emerging radio station. He was thus a longtime editor of musical pro-
grammes of Radio Ljubljana. At the same time he conducted the Orchestra
of the Ljubljana Music Society, and was devoted to a wider cultural and or-
ganisational work, journalism and teaching. After the war, in 1945, he went
first to Italy, and then moved to the United States, where in 1953 he died in
a car accident.
Although Dolinar was undoubtedly one of the most educated musical in-
tellectuals of his time, active in a wide variety of areas, he became after the
war unfortunately as a priest and a member of the political emigration to-
gether with his work gradually forgotten.
Keywords: Anton Dolinar, musicological study, Guido Adler, church modes
358
