Page 115 - Studia Universitatis Hereditati, vol 13(2) (2025)
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ologico Nazionale di Venezia, inv. no. 161) with   (Mantua,  Osor,  Hermitage),  others  lowered
               certainty has the attribute, associated with the   (Tralles, Cherchell, Venice) – suggests, in my
               Muses. This ambiguity leaves open the possibili-  view, that these figures were designed to be in-
               ty that the figure may have originally represent-  stalled in complementary pairs or even groups
                                                                                      18
               ed another  mythological  character, identified   in architectural juxtapositions.  This interpre-
               by the unpreserved attribute, and reinterpreted   tation is further supported by reconstruction of
                                                                                                   19
               within the caryatid tradition.              the original placement of the Caesarea figure.
                                                           In this light, the female figure from Apsorus
               Hypothetical Setting                        may have stood to the left of a large architectural
               The archaeological context and precise findspot   structure, perhaps symbolically ‘supporting’ the
               of the Apsorus statue are unknown, making it   epistyle with her elevated right arm.
               impossible  to  determine  its  original  function   Nevertheless, considering the well-docu-
               with certainty. Based on the discovery of mar-  mented integration of the imperial cult within   115
               ble portrait heads believed to represent members   the province of Dalmatia (cf. Cambi 1998; Buzov
               of the Julio-Claudian dynasty, along with a ded-  2015) that is in Apsorus evidenced by the discov-
               ication to Jupiter and an inscription referencing   ery of three marble portrait heads and a fragmen-
               a priest of Minerva, scholars have envisaged the   tary torso of the members of the Julio-Claudi-
               existence of a Capitolium (Faber 1982, 74; Mat-  an dynasty (Cambi 1982; Cambi 1998, 46–7), it
               ijašić 1989–1990, 261). Within this framework,   is plausible to suggest that the female statue was
               Aleksandra  Faber  proposed that the  so-called   originally part of an architectural context in-
               ‘Medea’ might actually represent Juno, and that   spired by the decorative program of the Forum
               the statue could have originally stood in the   of Augustus, a model widely emulated through-
               Capitolium (Faber 1982, 74). However, this in-  out the western provinces as a means of express-
               terpretation is difficult to reconcile with the un-  ing loyalty and devotion to the emperor (cf. La
               finished treatment of the statue’s back, which   Rocca 2011, 1004). However, in the absence of
               suggests it was intended to be viewed only from   additional evidence, this interpretation must re-
               the front.                                  main hypothetical.
                   Regrettably, the architectural remains from
               Apsorus are extremely limited and provide no   The Dating
               proper information regarding the statue’s origi-  For both statues located in Venice Renato Pol- The Caryatid from Osor (Apsorus): A Provincial Reinterpretation of a Classical Motif
               nal placement. Given that iconographic schemes   acco and Gustavo Traversari suggested that they
               comparable to caryatides were often employed   may have been produced in Hadrianic era.  In
                                                                                                20
               for statues displayed in public buildings without   the absence of archaeological context or distinc-
               a structural function – such as thermae or the-  tive iconographic attributes that might narrow
               atres – or served as decorative elements in elite   the chronology, the dating of the Apsorus stat-
               domestic settings (Witschel 1995, 250; Zank-  ue can only be hypothesized in relation to other
               er 2015, 110), it is most plausible that the cary-  finds from the site and the broader historical de-
               atid from Apsorus likewise belonged to such a   velopment of the settlement (cf. Zaninović 2005,
               context.                                    16–8; Blečić 2007, 200; Jadrić-Kučan 2011, 143–
                   The variation in the position of the arms   6; Blečić Kavur 2015, 18–21). Notably, the major-
               among the statues of the caryatides Tralles/  ity of the Roman stone monuments unearthed
               Cherchell type – some with the right arm raised   in Osor date to the 1st century AD (Cambi 1982,
               18   For such an arrangement and some examples of it see Zanker (2015, 110–1).
               19   See reconstruction in Kreilinger and Atif Hamza (2019, 48).
               20   Sono da ritenere due modesti lavori decorativi di gusto arcaizzante, creati nel II sec.d.C., forse in epoca adrianea, piuttosto che in ep-
                   oca antoniniana come altri hanno supposto (Polacco and Traversari 1988, 21).
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