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o polislogovnosti klasicističnega modernizma po razkritju »adornovske zmote« ...
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Anthony Pople, 69–89. Cambridge etc.: Cambridge University Press,
2004.
Cook, Nicholas and Anthony Pople, ur. The Cambridge history of twentieth-
-century music, Cambridge etc.: Cambridge University Press, 2004.
Danuser, Hermann. »Rewriting the past: classicisms of the inter-war period«.
V The Cambridge history of twentieth-century music, ur. Nicholas Cook
in Anthony Pople, 260–285. Cambridge etc.: Cambridge University Press,
2004.
Franklin, Peter. »Between the wars: traditions, modernisms, and the 'little
people from the suburbs'«. V The Cambridge history of twentieth-centu-
ry music. ur. Nicholas Cook in Anthony Pople, 186–209. Cambridge etc.:
Cambridge University Press, 2004.
Salmič Kovačič, Karmen. Orkestralni opus Demetrija Žebreta. Magistrsko
delo. Ljubljana, samozal., 2006.
Salmič Kovačič, Karmen. Demetrij Žebrè in sodobne slogovne tendence sloven-
ske glasbe. Doktorska disertacija. Ljubljana, samozal., 2016.
Salmič Kovačič, Karmen. »Donedavno pojmovanje glasbenega modernizma –
'adornovska zmota'?«. Muzikološki zbornik 53,1 (2017): 121–141.
Timms, Andrew. »Modernism's moment of plenitude«. V The modernist lega-
cy: essays on new music, ur. Björn Heile, 13–24. Farnham, Surrey: Ashga-
te, 2009.
Whittall, Arnold. Exploring Twentieth-Century Music: Tradition and innovati-
on. Cambridge, Cambridge University Press, 2003.
Whittall, Arnold. »Neo-classicism«. V Oxford music online – Gro-
ve music online. Oxford: Oxford University Press, 2007–
2016. Obiskano 12. december 2015. http://www.oxfordmusic
o nl i n e . c o m . e z p r o x y. l i b . u k m . s i /s u b s c r i b e r /a r t i c l e /g r o v e /
music/19723?q=neoclassicism&search=quick&pos=1&_start=1#firsthit.
237
